Jose 'Pete' Lacaba, a towering figure in Philippine literature and film, will be celebrated by peers and admirers during a tribute on October 10. His contributions to the arts, notably during the Marcos regime, have left an indelible mark on the cultural landscape of the Philippines.
A Personal Remembrance
He’s a good man. He ate our food.
Isabel Impelido Pimentel
Benjamin Pimentel recalls a cherished memory involving his late mother, who hosted Lacaba for lunch in their Cubao home. Despite the simplicity of the meal, Lacaba's humility shone through, reflecting his grounded nature.
Pimentel's mother later became a fan of Lacaba's poetry, even attempting to read some of his more provocative verses. This personal connection highlights not only Lacaba's literary significance but also his ability to resonate across different audiences.
Literary Contributions and Activism
Lacaba's work includes collaborations with renowned filmmaker Lino Brocka, producing films that were central to the protest culture of the 1970s and 1980s. His writings, especially during the First Quarter Storm, galvanized a generation to stand against oppression.
He wrote memorable lines in films like *Sister Stella L*, which became rallying cries during protests. Lacaba's influence extends beyond literature and film; his voice continues to inspire artistic activism in contemporary society.
A Call for Recognition
As discussions grow around Lacaba's potential designation as a National Artist, many hope his contributions will be formally recognized. This sentiment echoes the recent posthumous honor given to writers like Greg Brillantes, suggesting a renewed commitment to acknowledging the legacies of influential artists.
On October 10, many will gather at My Brother’s Mustache Bar in Quezon City to pay tribute to Lacaba, celebrating not only his works but also his enduring impact on Philippine culture. Advocates for his National Artist designation argue that it is time for his contributions to be officially recognized within the pantheon of Filipino art.